Friday, February 29, 2008
Michelle Lopez
is she a sculptor?
does she create art for her or an audience?
as i read i realized these questions really had no relevance to what i was readig. her story was one about her and the media and success. she seems very humble and makes it clear that she doesnt think she ready as an artist to be in the media. the funny thing about that is that the media chooses when youre ready. if they think your worth talking about then they will. that in itself should tell you that you are mature enough as an artist to be in the media. not only that, but the fact that she has a galley partnership and is an accomplished artist so young shows that she has what it takes to be exposed. me on the other hand, im not anywhere ready for the "big time". Im still trying to figure out my direction whereas it seems she already found her way. id be honored to be where she is and would just take the media as it comes
Mariko Mori
is the work spiritual?
what exactly is her mediums?
i really like how she is using her pieces to show how she sees technology and nature could co-exist. personally i would love if they could co-exist but i dont see that happening. technology is pulling us away from nature. we no longer depend on the things we have in nature to get us by. we dont get to the outdoors. we stay home and watch television or listen to music. technology is having a good and bad effect on us. obviously it has help give us resource and entertainment, but its made us lazy and we take to much for granted. there has always been a stuggle between nature and technology and there always will be that struggle.
why use the new media to depict ancient things?
does the use of technology show shes for it or against it?
is this just a fantasy or does she really think it would happen
Kim Jones
- what is his inspiration?
- Why is his work done walking down streets?
- Does his work deal with fact and fiction?
answers and insights:
i can relate to him because he went from drawing(a 2-d medium) to sculpture(a 3-d medium). I like how he took his fantasy of war, his fight with polio, his reality of war, and used them all in his work as he grew older. he used all his life experiences to make his art. i like how he makes his altar ego his piece. his alter ego is the mudman and he uses his sculpture in a performance piece. this is a way for him to use his experiences and talk to others. art is a great way to get to meet new people and have conversations with them. its wierd that all his work deals more with generalizations between what real and pretend and how it becomes fact and fiction. i kind of wonder if he didnt walk down a boulevard and he just sat in a down town area if he'd have he same effect. If i saw him walking down the street i think i would be a little bit freaked out to talk to him so i so how did he come up with this as a way to talk to people?
Scott Grieger
- What is behind the "be here now" installation?
- What work does he typically do and why?
- why does he do what he does?
Answers and insights
i really am intrigued by his stuff. the sheer size of his installations kind of show that is very important. i could sit there for a while and just look at his stuff trying to figure out what is going on, unlike i would with kinkead. I love how he took symbols and logos, important beliefs, relationships between military and religion, and things someone really wouldnt associate together and he juxtoposes these images to make intriguing work. i think his work is based on anthropological/cultural things because thats what he knows and what calls out to him.
other questions
- is his stuff controverial?
- would his stuff be so moving without the juxtopostions?
- what if he did them on a grander scale like in an open park rather than in a gallery?
Thomas kinkead
- are his lanscapes representing anything?
- does his paintings come from anything that have happened to him?
- who does he do his paintings for?
answers and random insights
I chose to do thomas kinkead because ive actually heard of him before. I have seen a few of his paintings and not really cared for them to much. I think he just wants to give people their fantasies and not do what he wants to do. I think thats what makes his painting boring to me. I dont relate to it and i dont feel it has any meaning. he makes his paintings for everyone and he markets them that way. his work doesnt provoke any thought, its all aesthetic pleasure
other questions:
- Will it stay so popular or will people get tired of it?
- if it would be conceptual, would i really like it then?
the art world expands
looking at sculpture formally
The story tells it
An incomlete manifesto for growth
there were a few things that stood out that could really push me to grow as an artist.
- Begin anywhere: "not knowing where to begin is a common form of paralysis." that is very true. Alot of times i just dont know where to begin and i end up getting nowhere fast. An art teacher i had in high school used to always tell me if i didnt have any ideas, i just need to keep drawing or brainstorm instead of focusing on the fact that i dont know where to go. i just need to start somewhere because that is better than nothing.
- Collaborate: i love to collaborate with people cuz that get my mind flowing. thats usually where i get more ideas, better ideas, and more creative ones as well
- blank: being blank or open would allow me to get new ideas and work on new processes that would allow me to grow.
- Stay up late: this could be interesting because when i become deproved of sleep, i do things i normally wouldnt do and that could be great source for inspiration
- taking breaks and going to different places: sometimes when im in a jam i like to take a break and come back or go to a different spot because it gives me new or rejuvenated creativity.
accumulation project week 6
Monday, February 25, 2008
Who, me?
18"x12"x1/2"
broken skateboards and already existing structure




Identity Project: this project really helped me figure out who I am, where i came from, and helped me realize some situations that have shaped the person i am today.
abiding images: skateboards, cross, and gravestone markers
I chose these images/objects because they have greatly affected my life and who i've become. I chose skateboards because thats what i do. I have been doing it since i was 14 or so and i am now 21 so that has taken up alot of my life. It's one of the few things i have been able to commit to in my life. Another image is the cross. I was grew up in a christian home and was raised with those values. Sometimes i stray away from those values but ultimately those values are how i live my live and how i make decisions about my life. And the last thing image that has shaped me is a gravestone marker. In my life ive seen all too many people that i know, and who are close to me, die or have near death experiences. This has fueled me to live life to the fullest as well as remember the negative things life throws at you. All of these things have shaped me to the person i am today and who knows who i'd be, where i'd be, or what situations i'd have gotten into.
Form: I chose to use the skateboards as my materials to make my sculpture for a few reasons. First, i used it because thats what i had. Secondly, skateboarding is how i was connected to one of my friends, who actually died while he was skating. And i used the broken skateboards to symbolize the broken feelings that come with death and grieve. I chose to use the cross because its used as a gravestone marker as well as a reference to religion and the peace and hope that comes through god in time of very emotional experience. I chose to have the cross falling to symolize the "falling" of the people close to me. I wanted to put my peace in a place that had an eerie feeling to it because thats how i feel about death, so i put it in front of a run down shack in the gardens on campus. I wanted to keep the scratches in the skateboard to show that it is a skateboard and i thought because it is broken, used, and has character i should leave the edges of the form rough.
